I wrote about Aitch’s eye for and taste in art here when she spotted a Willie Bester in Cape Town in 1993 and bought it over my “are you sure?” ignorance.
Around about the same time we met Ingrid Weiersbye on Barry & Lyn Porter’s game farm at Hella Hella and Aitch loved her work and quietly bought two of her paintings, later presenting them to me for my birthday. Ingrid is married to Barry’s brother Roger, ecologist with KZN Wildlife.
Well, sure as anything, Ingrid just got more and more famous and I’m sure whatever Aitch paid, the paintings are worth way more now. This one above is on offer for over R20 000. And I think ours are better!
More about Ingrid Weiersbye:
Born in England, raised in Zimbabwe, Weiersbye has held eight solo exhibitions. Beside these she has printed five limited edition print releases, has participated in numerous art and environmental projects and her work has been published in several books. She has been well supported by corporate and private collectors, particularly in the UK, Germany and South Africa.
Furthermore: • She has exhibited work for seven consecutive years at the Society of Wildlife Artists’ annual exhibition in London. • She has exhibited at the British Birdwatching Show for three years at which she won the ‘best stand’ award in 1995 in the art category for her bird paintings. • She was invited by the Tron and Swann Gallery in London to participate in several major art exhibition from 1992 to 1996 including ‘Parrots of the World’, ‘Wildfowl and Waterfowl’ as well as the British Game Fair.
Additionally she exhibits on most major South African wildlife exhibitions of international wildlife art held regularly at the Everard Reade Gallery in Johannesburg.
Robert’s 7th edition. Handbook of Birds of Southern Africa. 2005…main contributing artist
Roberts Bird Guide – Kruger National Park. 2006…main contributing artist
Roberts Bird Field-guide. 2007
Roberts Geographic Variation of Southern African Birds. 2012…co-author and sole illustrator
Birds of Botswana Field-guide, Princeton University Press. 2016…co-author and sole illustrator
Roberts Comprehensive Field-guide to Southern African Birds. 2016…co-author and main illustrator
I’m rich. I have an early Willie Bester, complete with crushed Mainstay Cane spirits bottle top and torn-off piece of an Omo packet, framed in cheap SA pine, painted with pink primer.
Read this from Smithsonian Libraries and weep:
Contemporary African art from the Jean Pigozzi collection / foreword by Mark Gibourne; [day of sale, June 24, 1999]. London: Sotheby’s, 1999. 132pp., 57 lots. illus. (color).
The 1999 Sotheby’s auction of works from the Jean Pigozzi collection was the first major sale of modern African art by a top auction house.
Remarkably, all the works sold. Most fetched more than the estimated prices. Realized prices ranged from £2,000 to £7,000. The top price was a Willie Bester mixed media work going for £10,000 (pre-sale estimate, £4,000-£6,000). Not bad. The sale was billed as a benefit for Unicef and to establish the Jean Pigozzi Prize for Contemporary African Art.
Confession: When Aitch bought it in Kaapstad one early holiday while we were rich and child-free, I raised my eyebrows and thought Hmmm . . .
~~~oo0oo~~~ Sent: Thursday, 17 November 2016 Subject: Willie Bester art
Aitch’s Willie Bester artwork is looking even better – again. One was sold at an auction of David Bowie’s African art collection. Admittedly there’s a “David Bowie factor” which one art dealer reckoned added 50% to the prices.
Willie Bester’s “What Happened in the Western Cape?” fetched R358,000.
She’d have done this if she was still around, so here goes:
“Remember how you said ‘Are you mad?’ when I bought it in Cape Town, Koos?!”
**mumble** Well, I didn't say 'mad'. I'm sure I said "Are you sure?" **mumble**
It was January 1993 and Aitch paid R2660 on budget over six months on her credit card. She pinned the slip to the back of the painting. What an investment! Note how they still used the old shook-shook credit card machine back then.
More about Willie:
Born in Montagu, Western Cape in 1956. He began painting murals as a child, and it was also then that he first developed an interest in recycling industrial and waste materials. As an adult, Bester worked for 15 years as a dental technician’s assistant before rekindling his love for art. His first solo exhibition, held in Cavendish Square in 1982, was mounted without the assistance of a gallerist. Bester went on to study part-time at the Community Art Centre in Cape Town where he was exposed to the idea of art as a political tool.
Following this encounter he had a meteoric rise to fame in the early 1990s, exhibiting at the Goodman Gallery in Johannesburg before taking part in exhibitions in Dakar, Senegal, and in numerous centres in Europe, including Africa Remix, which was mounted at the Hayward Gallery in London in 2005 before travelling to the Pompidou Centre in Paris and thereafter to Johannesburg.
Bester has received numerous prestigious awards including South Africa’s Order of Ikhamangu (Silver). Most recently, Bester exhibited at the Changchun Sculpture Symposium in China where he was voted the most popular artist and honoured for his innovative use of materials.
Bester’s mixed media works have frequently included passages of painting that have contained strongly naturalistic elements. Continuity is also evident in Bester’s sustained preoccupation with apartheid’s legacy, and the empathy and dignity with which he represents the dispossessed.
Training – 1986: Community Arts Project, Cape Town.
1982–2003: Eleven solo Exhibitions in South Africa.
1988–2001: Five solo exhibitions abroad – Dakar, Senegal; Trento, Rome and Turin, Italy; and Brussels, Belgium. 1989–2004: Participation in approximately thirty group exhibitions in South Africa.
1991–2005: Participation in approximately forty-six international Exhibitions in thirty-five cities and towns in the UK, Italy, The Netherlands, France, Switzerland, USA, Cuba, Germany, Canary Islands, Spain, Austria, Senegal, Brazil, India, Malaysia, and Ireland. This includes several biennales and high profile exhibitions.
Iziko SA National Gallery, Cape Town; Johannesburg Art Gallery; Nelson Mandela Metropolitan Art Museum, Port Elizabeth; Durban Art Gallery; Tatham Art Gallery, Pietermaritzburg; Pretoria Art Museum; University of the Witwatersrand, Johannesburg; University of the Western Cape, Bellville; University of South Africa Art Gallery, Pretoria; Department of National Education, Pretoria; Department of Foreign Affairs, Pretoria; South African Broadcasting Corporation, Cape Town and Johannesburg; Human Sciences Research Council, Cape Town; Contemporary African Art Collection, Paris; Smithsonian Institute, Washington DC.
1991: Merit Prize, Cape Triennial.
1992: Prix De L’Aigle, 4th Grand Prix International D’Arts Plastiques de la Vlille de Nice, France.
2003: Honorary medal for promotion of Fine Arts: Suid Afrikaanse Akademie vir Wetenskap en Kuns.
2004: Order of the Disa, Members Class, Government of the Republic of South Africa.